We’ve Been Going About This All Wrong Hot Deal

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"Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, andher sixth album, We’ve Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaimour agency when we think the world – or at least, our world – might be falling apart. How do we protect the thingsmost precious to us from destructive forces beyond our control? How do we salvage something worthwhile whenit seems all is lost? And if we can’t, or we don’t, have we loved as well as we could in the meantime? Did we tryhard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates astunning meditation on how life’s changes can be both terrifying and transformative. We’ve Been Going About ThisAll Wrong articulates the beauty and power that can be rescued from our wreckages. We’ve Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphoricalworlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up withmotherhood; navigating the demands of partnership when your responsibilities have changed; the loss of centerand safety that can come with leaving home; how the ghosts of our past can appear without warning in our present;feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreakforces us to relinquish control of the things that have always made us feel so human, and seek new forms ofconnection to replace them. We’ve Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear,what we can and can’t control, and what it means to be human in a world that is wracked by so much trauma. Thetrack “Home To Me,” written about Van Etten’s son, uses the trademark “dark drums” of her previous work toinvoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror ofwhat it means to have your child move inevitably toward independence, wanting to hold on to them tightly enoughto protect them forever. In contrast, “Come Back” reflects on the desire to reconnect with a partner. Recalling allthe optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, buildingthe arrangement alongside the call to “come back” to anyone who has lost their way, be it from another person orfrom themselves. Hovering between darkness and light, “Born” is an exploration of the self that exists when allother labels – mother, partner, friend – are stripped back. Unlike Van Etten’s previous albums, there will be no songs off the album released prior to the record comingout. The ten tracks on We’ve Been Going About This All Wrong are designed to be listened to in order, all at once,so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control,but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too,and all of it is held together by Van Etten’s uncanny ability to both pierce the hearts of her listeners and make themwhole again. Things are not dark, she reminds us, only darkish."