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1. Quintet No. 62, in G major, for 2 violins, viola and 2 cellos, G. 326, Op. 31/2~Moderato
2. Quintet No. 62, in G major, for 2 violins, viola and 2 cellos, G. 326, Op. 31/2~Andante Lento
3. Quintet No. 62, in G major, for 2 violins, viola and 2 cellos, G. 326, Op. 31/2~Minuetto
4. Quintet No. 62, in G major, for 2 violins, viola and 2 cellos, G. 326, Op. 31/2~Rondo
5. Quintet No. 13, in G major, for Oboe, 2 violins, viola and cello, G. 431, Op. 55/1~Allegretto con vivacita
6. Quintet No. 13, in G major, for Oboe, 2 violins, viola and cello, G. 431, Op. 55/1~Allegretto
7. Quintet No. 7, in E minor, for Guitar, 2 violins, viola and cello, G. 451 (arrangement of Piano Quintet G. 407)~Allegro moderato
8. Quintet No. 7, in E minor, for Guitar, 2 violins, viola and cello, G. 451 (arrangement of Piano Quintet G. 407)~Adagio
9. Quintet No. 7, in E minor, for Guitar, 2 violins, viola and cello, G. 451 (arrangement of Piano Quintet G. 407)~Minuetto
10. Quintet No. 7, in E minor, for Guitar, 2 violins, viola and cello, G. 451 (arrangement of Piano Quintet G. 407)~Allegretto
11. Quintet No. 14, in F major, for Oboe 2 violins, viola and cello, G. 432, Op. 55/2~Andantino
12. Quintet No. 14, in F major, for Oboe 2 violins, viola and cello, G. 432, Op. 55/2~Minuetto
13. Quintet No. 20, in D major, for 2 violins, viola and 2 cellos, G. 284, Op. 18/2~Allegro Assai
14. Quintet No. 20, in D major, for 2 violins, viola and 2 cellos, G. 284, Op. 18/2~Adagio
15. Quintet No. 20, in D major, for 2 violins, viola and 2 cellos, G. 284, Op. 18/2~Minuetto
16. Quintet No. 20, in D major, for 2 violins, viola and 2 cellos, G. 284, Op. 18/2~Allegro Assai

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Luigi Boccherini occupies a special place in cellists’ hearts: he must have been a phenomenal player, and, happily, he was also a composer. His exceptional knowledge of the technical possibilities of the cello helped him create a completely knew sound-palette This is particularly evident in his chamber music, with it’s splendid vocalic lines, often revealing an undertone of melancholy, combined with impressive virtuosity, and with a wink or a smile appearing now and then from under the surface. The settings are very varied: not only calling for two celli, but also for two violas, and for a wide variety of solo instruments with string quartet: violin, oboe and guitar.

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