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Cello Concerto / Works for Cello & Piano Trending

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DISC: 1

1. Cello Concerto In A Minor, Op. 129
2. Adagio & Allegro, Op. 70 (Version For Cello & Piano)
3. Fantasiestücke, Op. 73 (Version For Cello & Piano): I. Zart Und Mit Ausdruck
4. Fantasiestücke, Op. 73 (Version For Cello & Piano): II. Lebhaft, Leicht
5. Fantasiestücke, Op. 73 (Version For Cello & Piano): III. Rasch Und Mit Feuer
6. 3 Romanzen, Op. 94 (Arr. G. Schwabe For Cello & Piano): No. 1, Nicht Schnell
7. 3 Romanzen, Op. 94 (Arr. G. Schwabe For Cello & Piano): No. 2, Einfach, Innig
8. 3 Romanzen, Op. 94 (Arr. G. Schwabe For Cello & Piano): No. 3, Nicht Schnell
9. 5 Stücke Im Volkston, Op. 102: No. 1, Mit Humor
10. 5 Stücke Im Volkston, Op. 102: No. 2, Langsam
11. 5 Stücke Im Volkston, Op. 102: No. 3, Nicht Schnell, Mit Viel Ton Zu Spielen
12. 5 Stücke Im Volkston, Op. 102: No. 4, Nicht Zu Rasch
13. 5 Stücke Im Volkston, Op. 102: No. 5, Stark Und Markiert
14. F-A-E Sonata, Woo 22: II. Intermezzo (Arr. G. Schwabe For Cello & Piano)

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Schumann’s love of the cello, which developed when he learned the instrument as a young man, is expressed most fully in his ‘Cello Concerto in A minor.’ It is a work marked by freshness of spirit and singing lyricism and stands as a rich example of mid-19th-century Romanticism. The series of characterful small pieces that include ‘Funf Stucke i’m Volkston’ reveals Schumann’s joy in the cello’s unique lyrical capabilities. The ‘Drei Romanzen’ and the ‘Intermezzo’ from the ‘F-A-E Sonata’ are presented here in new arrangements for cello and piano by Gabriel Schwabe. Gabriel Schwabe has established himself among the leading cellists of his generation. He is a laureate of numerous national and international competitions, including the Grand Prix Emanuel Feuermann and the Concours Rostropovich in Paris. As a soloist he has worked with orchestras such as the Philharmonia Orchestra, the NDR Radiophilharmonie, the Berlin Radio Symphony Orchestra, the Deutsches Symphonie-Orchester Berlin, the Malmo and Norrkoping Symphony Orchestras and the Royal Northern Sinfonia. He plays a rare Italian instrument made in Brescia (c. 1600).