Name: Florian Uhlig 14 New Release
Brand: Florian Uhlig
SKU: SK0161385-US20260105-083122
Availability: InStock

DISC: 1

1. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 1, Un Poco Adagio – Romanza

2. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 2, –

3. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 3, Espressivo

4. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 4, –

5. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 5, –

6. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 6, –

7. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 7, Presto

8. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 8, –

9. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 9, –

10. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 10, –

11. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 11, Allegro Con Brio

12. Impromptus On A Theme Of Clara Wieck, Op. 5: No. 12, Vivace

13. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 1, –

14. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 2, –

15. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 3, Molto Moderato

16. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 4, –

17. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 5, –

18. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 6, Passionato

19. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 7, Idee Aus Beethoven

20. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 8, Moderato

21. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 9 , Fragment, Ausgeführte Version Aus Einer Zweiten, Unvollst

22. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 10, Prestissimo

23. Etudes In Variation Form On A Theme By Beethoven, Woo 31: No. 11, Legato, Teneramente

24. Variations Pathétiques, Op. 13 (First Version): Thême. Adagio

25. Variations Pathétiques, Op. 13 (First Version): Var. 1, Grave

26. Variations Pathétiques, Op. 13 (First Version): Var. 2

27. Variations Pathétiques, Op. 13 (First Version): Var. 3

28. Variations Pathétiques, Op. 13 (First Version): Var. 4

29. Variations Pathétiques, Op. 13 (First Version): Var. 5

30. Variations Pathétiques, Op. 13 (First Version): Var. 6

31. Variations Pathétiques, Op. 13 (First Version): Var. 7

32. Variations Pathétiques, Op. 13 (First Version): Var. 8

33. Variations Pathétiques, Op. 13 (First Version): Var. 9

34. Variations Pathétiques, Op. 13 (First Version): Var. 10

35. Variations Pathétiques, Op. 13 (First Version): Finale

DISC: 2

1. Variation In G Major (Arr. J. Draheim)

2. Variation On "The Little Bell" By Paganini (Completed By J. Draheim)

3. Etudes In Variation Form On A Theme By Beethoven, Woo 31 (Version 2) [Excerpts]: Etude Mignonne

4. Etudes In Variation Form On A Theme By Beethoven, Woo 31 (Version 2) [Excerpts]: Var. 4

5. Etudes In Variation Form On A Theme By Beethoven, Woo 31 (Version 2) [Excerpts]: Var. 5, Cantando

6. Etudes In Variation Form On A Theme By Beethoven, Woo 31 (Version 2) [Excerpts]: Var. 7

7. Variations On A Theme By Schubert (Completed By A. Boyde)

8. Etudes In Variation Form On A Theme By Beethoven, Woo 31 "Exercises" (Third Version): No. 1, Un Poco Maestoso

9. Etudes In Variation Form On A Theme By Beethoven, Woo 31 "Exercises" (Third Version): No. 2, Exercice

10. Etudes In Variation Form On A Theme By Beethoven, Woo 31 "Exercises" (Third Version): No. 3, Exercice

11. Etudes In Variation Form On A Theme By Beethoven, Woo 31 "Exercises" (Third Version): No. 4, Molto Moderato

12. Etudes In Variation Form On A Theme By Beethoven, Woo 31 "Exercises" (Third Version): No. 5, Exercice

13. Etudes In Variation Form On A Theme By Beethoven, Woo 31 "Exercises" (Third Version): No. 6, Presto

14. Etudes In Variation Form On A Theme By Beethoven, Woo 31 "Exercises" (Third Version): No. 7, Exercice

15. Variations On A Nocturne By Chopin (Completed By J. Draheim)

16. 12 Etudes Symphoniques, Op. 13 (Second Version): Thême

17. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 1, Un Poco Più Vivo

18. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 2

19. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 3, Vivace

20. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 4

21. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 5, Scherzando

22. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 6, Agitato

23. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 7, Allegro Molto

24. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 8, Sempre Marcatissimo

25. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 9, Presto Possibile

26. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 10, Con Energia Sempre

27. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 11

28. 12 Etudes Symphoniques, Op. 13 (Second Version): Var. 12, Allegro Brillante

29. Variations In E-Flat Major On An Original Theme "Geistervariationen": Theme

30. Variations In E-Flat Major On An Original Theme "Geistervariationen": Var. 1

31. Variations In E-Flat Major On An Original Theme "Geistervariationen": Var. 2, Canonisch

32. Variations In E-Flat Major On An Original Theme "Geistervariationen": Var. 3, Etwas Belebter

33. Variations In E-Flat Major On An Original Theme "Geistervariationen": Var. 4

34. Variations In E-Flat Major On An Original Theme "Geistervariationen": Var. 5

More Info:

For over 60 years, repeated efforts have been made to capture on sound carriers Robert Schumann’s Complete Works for Piano solo, a fascinatingly broad and varied spectrum ranging from highly virtuosic pieces for the concert hall and valuable literature for teaching purposes. This attractive and yet challenging assignment was not always approached with the necessary intellectual rigor, quite apart from any purely artistic shortcomings, and so none of these sets can justly be deemed “complete”. Schumann had published a string of works (Impromptus op. 5, Davidsbündlertänze op. 6, Etudes symphoniques op. 13, Concert sans Orchestre or Sonata in F minor op. 14 and Kreisleriana op. 16) in two more or less divergent versions, so that it is highly questionable whether an edition can be labelled “Complete Recordings” if it only contains one of those versions or worse still, makes a misguided attempt to combine two of them. Meanwhile, works that were published at remote locations or remained unpublished, along with fragments that could easily be completed without resorting to audacious speculation, have hitherto been taken into account only in exceptional cases. The first true complete recording of Robert Schumann’s works for piano solo on in 15 volumes, played by Florian Uhlig, seeks for the first time to offer imaginative compilations on album (e.g. “Robert Schumann and the Sonata”, “The Young Piano Virtuoso”, “Schumann in Vienna”, “Schumann and Counterpoint”, “Variations”) containing all original works for pianoforte written between 1830 (Abegg Variations op. 1) and 1854 (Ghost Variations) according to the newest critical editions and/or first editions. Several of these albums include premiere recordings. The booklets by Joachim Draheim, who discovered and/or edited a number of the works, shed light on the biographical and musicological background to the works thus coupled.