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High Quality Complete Songs 5

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SKU: SK0527087-US20260105-083122 Category: Tag:
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DISC: 1

1. Paracelsus
2. Peaks
3. A Perfect Day
4. Pictures
5. Premonitions
6. Qu’il M’irait Bien
7. The Rainbow, “So May it Be!”
8. Religion
9. Remembrance
10. Requiem
11. Resolution
12. Rock Of Ages
13. Romanzo Di Central Park
14. Rosamunde (1st Version)
15. Rosamunde (2nd Version)
16. Rosenzweige
17. Rough Wind
18. A Scotch Lullaby
19. A Sea Dirge
20. The Sea Of Sleep
21. The See’r
22. Sehnsucht
23. September
24. Serenity
25. The Side Show
26. Slow March
27. Slugging A Vampire
28. Soliloquy
29. A Son Of A Gambolier
30. Song
31. A Song – For Anything: Hear My Prayer, O Lord
32. A Song – For Anything: When The Waves Softly Sigh
33. A Song – For Anything: Yale, Farewell!
34. Song For Harvest Season
35. The Song Of The Dead
36. Songs My Mother Taught Me
37. The South Wind
38. Spring Song
39. Sunrise
40. Swimmers

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When, in 1922, Charles Ives published a volume entitled 114 Songs, he was indirectly drawing attention to the fact that the genre played a central part in his output. 85 years on and, for all that his wider reputation may rest on orchestral, chamber and piano music, songs represent the heart of his creative thinking. Nor was that initial volume comprehensive; Ives having written nearly 200 songs, of which this edition includes all those he completed. The expressive variety is vast: indeed, the gradual evolution of Ives’s songwriting, from those drawing on Austro-German Lieder and English parlor-song traditions to ones that evince anarchic humor as keenly as others do profound vision, is analogous to the evolution of American music over the last quarter of the nineteenth and first quarter of the twentieth centuries. Although it would be possible to collate Ives’s songs according to type, the alphabetic approach adopted by this edition ensures each volume (of which this disc is the fifth) contains a representative cross-section of his achievement. A wide range of poets is set, including a number of (mainly early) German settings as well as forays into French and Italian writers. The temporal distance (1887-1926) traversed by these songs is as little compared to their stylistic diversity or their emotional range.