Motets For The Liturgical Year Vol. 5 Must Have
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DISC: 1
| 1. Canite tuba à8 |
| 2. Alma Redemptoris Mater à4 |
| 3. Inter natos mulierum à4 |
| 4. Gloria in excelsis à5 |
| 5. Quem vidistis pastores à8 |
| 6. Nuptiae factae sunt à10 |
| 7. leggiadra rosa (organ) |
| 8. O salutaris hostia à5 |
| 9. In nomine à6 |
| 10. Agimus tibi gratias à4 |
| 11. Oh, benedetta luce (organ) |
| 12. Regina coeli à6 |
| 13. Haec dies à5 |
| 14. Surrexit pastor bonus à5 |
| 15. Ascendens Christus in altum à4 |
| 16. Nimis exaltatus est à5 |
| 17. Factus est repente à5 |
| 18. Tibi laus tibi Gloria à8 |
| 19. O sacrum convivium à5 |
| 20. Beatus Laurentius à6 |
| 21. Virgo prudentissima à4 |
| 22. Super salutem à5 |
| 23. Egredemini et videte à6 |
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The Choir of Girton College, Cambridge, continues it’s pioneering exploration of the music of the Italian Renaissance master Marc’Antonio Ingegneri (c. 1535/36-92) with a journey through the liturgical year, as mirrored in Ingegneri’s motets. A ‘concept album’ of Renaissance polyphony may be an unusual undertaking, but this one illustrates how Ingegneri took his lead from the emotions implicit in each major celebration of the church – from sorrow and awe to joy and jubilation – expressed in music of extraordinary beauty, belying the internal complexity that gives it it’s emotional power.


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