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Violin Music, Vol. 1 - Solo Works Certified
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Violin Music, Vol. 1 – Solo Works Certified

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DISC: 1

1. Miniaturen, Op. 19~Volume 1: No.
2. Marsch: Allegro vivace
3. Miniaturen, Op. 19~Volume 1: No.
4. Lied: Andantino
5. Miniaturen, Op. 19~Volume 1: No.
6. Rococo: Tempo molto moderato
7. Miniaturen, Op. 19~Volume 1: No.
8. Rondino: Allegro
9. Miniaturen, Op. 19~Volume 1: No.
10. Trauermarsch: Tempo moderato
11. Miniaturen, Op. 19~Volume 1: No.
12. Postfahrt: Allegro vivace
13. Miniaturen, Op. 19~Volume 1: No.
14. Idylle: Andantino
15. Miniaturen, Op. 19~Volume 1: No.
16. Humoreske: Allegro moderato
17. Miniaturen, Op. 19~Volume 1: No.
18. Elegie: Tempo moderato
19. Miniaturen, Op. 19~Volume 1: No. 1
20. Auf dem See: Moderato
21. Miniaturen, Op. 19~Volume 2: No. 1
22. Reigen: Moderato
23. Miniaturen, Op. 19~Volume 2: No. 1
24. Marsch: Allegro
25. Miniaturen, Op. 19~Volume 2: No. 1
26. Ländler: Molto moderato
27. Miniaturen, Op. 19~Volume 2: No. 1
28. Klage: Adagio
29. Miniaturen, Op. 19~Volume 2: No. 1
30. Streit: Vivace –
31. Miniaturen, Op. 19~Volume 2: No. 1
32. Versöhnung: Andante
33. Miniaturen, Op. 19~Volume 2: No. 1
34. Tambourin: Vivace
35. Miniaturen, Op. 19~Volume 2: No. 1
36. Scherzo: Vivace
37. Miniaturen, Op. 19~Volume 2: No. 1
38. Zwiegesang: Andante
39. Miniaturen, Op. 19~Volume 2: No. 2
40. Kalospinthechromokrene: Veloce
41. Violin-Schule~No. 7
42. Übung für die chromatische Tonleiter. Allegro moderato
43. Spezial-Etüden, Op. 24~No. 1
44. Übung für Nüancirungen: Lento
45. Spezial-Etüden, Op. 24~No. 3
46. Übung für den Triller. Andante – Allegro
47. Spezial-Etüden, Op. 24~No. 2
48. Zur Kräftigung des Bogenstreichs: Assai moderato
49. Spezial-Etüden, Op. 24~No.
50. Übung für die Egalität der Bogenführung: Allegro

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The German violinist, violist and composer Friedrich Hermann (1828-1907) spent the six decades of his adult life teaching at the Leipzig Conservatoire and, although his works include a symphony, a string quartet and numerous other chamber pieces for strings, by far the largest part of his output is pedagogical in nature. But he pumped his teaching pieces full of imagination, as the studies here demonstrate. Even though the twenty Miniatures published in 1881 are intended for student violinists, many of them are tiny tone-poems intended both to engage the attention of their players and challenge their techniques – and their mix of poetry and humour will also reward adult listeners.

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